A BRAND NEW dEUS ALBUM.
Even that title – mysterious, oblique – scans as being fantastically unknowable, hinting at a deep sense of wisdom. Follow the lyrical clues, and you might conclude “it” concerns romance and ageing; squint a little, and you might alight on modernity being the malaise described. Either way, fueling intrigue is by design. It’s a question, it’s an answer…it’s up to the listener to decide.
It’s also dEUS at their enigmatic best. Ten years seems like a very long time, but they’ve never really been away. There was the Selected Songs 1994-2014 compilation to put together, the Soft Electric tour, numerous festival appearances, and anniversaries to celebrate – their magnum opus, The Ideal Crash, turned 20; a 65-date European tour for it took up over a year in
preparation and execution.
“Things always take longer than you think,” the singer says laconically, “but this was not a ten- year project.” It wasn’t even four years either, and although concrete plans were laid down in 2018 – calendars cleared, sessions booked – there was rehearsing and touring The Ideal Crash, and, of course, the pandemic. But the band’s way of working changed too. For the previous two records, jam sessions were long and structured – five days a week, noon till 6pm – with songs being moulded and developed over time. How to Replace It however, came together during concentrated, short and explosive jams. With a lot of classic and time consuming dEUS finetuning and sculpting afterwards. Old habits die hard…
Twenty-eight years after their debut record, dEUS remain indie stalwarts, pushing ever forward, endlessly curious and creatively restless.
“After so many years, we want to do so many festivals, and play in so many places,” Barman says. “We can’t fucking wait to do these songs live.”